Introduction to Hegel's Philosophy on Art Essay

Introduction to Hegels Philosophy on Art - Essay ExampleIn his work, Hegels (pp.35) idea revolves around the fact that art is on its way to extinction from the fact that the society is moving on its own way, a situation whereby actions that look up to art will be justified on the basis of beliefs. In the case of doings of nature and production of art, there is a great disparity between the two. Productions of art, in this case, are not much more(prenominal) inclined on modernity- aspects that hold less value to the perfection of art. He continues to argue that art mustiness originate from the individuals, and not from modernity attri notwithstandinges that derail the progress of art. According to Hegel (pp.36), productions of nature can be set forth as upholding the features of aesthetics, unlike the works of art that are much more concerned with the status and light that the artists may acquire from their work. This, however, needs not be confused, art is not about recognition of pieces done, but recognition on unspoiled pieces produced. It is due to this fact that Hegel terms art as completely dead and does not believe in any idea that art may, by any chance be expected to revive. In fact, in his works, he is keen to say that there is nothing much get out that the Greek architecture that come up from the exiting humanity. Hegel (pp.35) terms Greek pieces of art as aesthetics, as they fondle all the aspects of a good piece of work unlike todays pieces that are single concerned with issues of modernity. Hegel can be indicated to seek happiness from the fact that that part of true art is gone(a) and no one can improve or change that. Productions of art, on the former(a) hand, do not encompass, what Hegel would term as basic need from which all art-making process operates- the spirit- but just come up with pieces that would elevate the status of the artist. Hegels thoughts comparison on the productions of art versus the productions of nature can be b eat out unders tood under the definition of both concepts. Productions of art, according to Hegel, are motivated by the visual images or rather the sensory perceptions of the artist. Productions of nature, according to Hegel (pp.36) are not vivid enough, as it emanates from the human mind, and at times, the replete(p) aspect can be considered vague. Concepts of nature, in this context, can be draw as being too imaginative to be real. Productions of art according to Hegel revolve around ideas of beauty. Beauty, as he describes includes the ideas behind patch of any piece of art by an artist. This turns down to the basic need of production of art as underlying from the spirit of the artist. Judgment of the pieces of art can be described if the piece of art is good enough or not. Hegels argument on art, in essence, revolves around the concept of well-organized thoughts prior to the digest of any piece of art. As a result, productions of art revolve around the senses and spirits that have created such great pieces of art. On a laymans point of view, productions of art can be described as those pieces that communicate various forms of messages to the target audience with a lot of ease. Just like other areas like Philosophy, Psychology developed art has gone through a form of transition from chivalric art to art that conveys meanings to